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|whatever you want to use it in||take ya pick|
|jo715wee||very useful tone||1/7/16|
|take your pick||1967 Class A-30 Top Boost||Blues||
|just play some blues with it.||again take your pick|
|jo715wee||turn up gain for some gritty tones.||1/7/16|
|zztop||1990 Brit J-800||Rock||
|My Heads in Mississippi||Billy Gibbons|
|jo715wee||substitute metal shop amps with treadplate or plexxi||1/7/16|
|1967 Class A-30 Top Boost||
|Scar Symmetry||Metal Shred||
|EVH Jake E. George Lynch||1993 Solo 100 Head||Metal Shred||
|Eruption and early Dokken and Badlands||EVH Jake E. George Lynch|
|jo715wee||Give it a shot with fingertapping! Sounds cool!||1/4/16|
|Take your pick, James Burton, Vince Gill||Country||
|Many||Take your pick, James Burton, Vince Gill|
|jo715wee||real useful patch, change the gain for solo||12/31/15|
|Rush||1958 Tweed B-Man||Rock||
|Red Barchetta||Alex Lifeson|
|Euripide||Guitar: Variax JVT-69 Real Pickup (Humbucker) Bridge - Vol 9 Tone 9 || POD X3 Live: Basic Tone (Noise Gate, Amp, Flanger, Reverb) || Line 6 M13: MXR Dyna Comp, DOD® Overdrive/Preamp 250 and Wah || Harmonics and Clean Parts: on M13 Red Comp - Sustain 90% Level 65% || Lead Part: on M13 after RedComp add Overdrive Drive 40% Bass 40% Mid 25% Treble 100% Output 45% || Solo: on M13 same as Lead Part but replace Red Comp with Vetta Wah Pos 80% Mix 100%||12/30/15|
|Flying in a Blue Dream||Joe Satriani|
|chusss||Turn off or change delay parameters how to suit your music||12/29/15|
|Guitarist||take ya pick|
|Song||whatever you want to use it in|
|Comments||very useful tone|
|Guitarist||again take your pick|
|Song||just play some blues with it.|
|Comments||turn up gain for some gritty tones.|
|Song||My Heads in Mississippi|
|Comments||substitute metal shop amps with treadplate or plexxi|
|Guitarist||EVH Jake E. George Lynch|
|Song||Eruption and early Dokken and Badlands|
|Comments||Give it a shot with fingertapping! Sounds cool!|
|Guitarist||Take your pick, James Burton, Vince Gill|
|Comments||real useful patch, change the gain for solo|
|Comments||Guitar: Variax JVT-69 Real Pickup (Humbucker) Bridge - Vol 9 Tone 9 || POD X3 Live: Basic Tone (Noise Gate, Amp, Flanger, Reverb) || Line 6 M13: MXR Dyna Comp, DOD® Overdrive/Preamp 250 and Wah || Harmonics and Clean Parts: on M13 Red Comp - Sustain 90% Level 65% || Lead Part: on M13 after RedComp add Overdrive Drive 40% Bass 40% Mid 25% Treble 100% Output 45% || Solo: on M13 same as Lead Part but replace Red Comp with Vetta Wah Pos 80% Mix 100%|
|Song||Flying in a Blue Dream|
|Comments||Turn off or change delay parameters how to suit your music|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.